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  • Into that good night

    Twenty years ago today, I was a senior in high school. Enjoying a prolonged holiday break. Almost certainly putting off the mountain of college applications I'd yet to start, the intimidating January 15th application deadline still seemingly far, far away. Waking up in the same bed I'd slept in all my life, the mattress rotten with holes and collapsed springs. The walls of my small room a warm grey, the color of December skies. Looking forward to the evening, to what was – for me – a new experience: a New Year's eve with a girlfriend. Someone to hold hands with as I wandered aimlessly through Boston's First Night. Someone to huddle with for warmth, when the wind blew cold. Someone to kiss, when the clock struck twelve. The calendar in flux, my life overflowing with promise and possibility.

    Ten years ago today, I was living in San Francisco with TheGirlwhobecameTheWife. On her left hand was a shiny new bauble, a slim gold band supporting a 1.02 carat, round-cut diamond that had cost me something more than 3 months of meager salary. In the two months since my proposal (or, as I insisted on calling it, my proposition) we'd determined that we would leave California and return to Massachusetts, just before the September wedding we'd already decided to stage in a distant corner of Maine. This New Year's Eve, our fourth in San Francisco, would be our last. It was a good one. There was a dinner with friends. Wine, and rich food. Laughter. Then we returned to our apartment (SF lingo: our flat), parsing our way through the deep fog and thickets of spot-searching cars that filled the Castro evening. And when the windows began to rattle with distant explosions, we stepped out onto our back stairs. Our home was a basement apartment, but from the back – as a function of the city's famed hills – we were three stories up. And as we looked into the fog, out into a shifting, wind-blown expanse of low cloud masking distant views of the city's skyscrapers, the bay and the East Bay and hills beyond, we found wonder: instead of the expected display of blinding brightness followed by twinkling, tumbling filaments of intricate light, we saw only the muffled glow of colored light buried in the fog. There would be darkness and wind, and then suddenly the fog would warm and fill with muffled greens, reds, whites and blues. A moment later, the boom would echo up from the Bay and the windows would rattle and shiver, the vibrations creating a reflected shimmer of distant, fading light. I held her hand in mine, my fingers gently brushing against the new ring. The night was aglow, surreal and wonderful. One year passed into the next.

    One year ago today, we dropped our kids off at school. Then we took a day together. Time away – for the two of us – was a rare enough event that it became a thing we'd have to schedule: I called it "our quarterly save-our-marriage days." This one was less ambitious than many (we often traveled out of state, to New Hampshire or Rhode Island or even up to Maine, gambling only that we could be back in time to pick up our kids) — we simply drove a bit north to a place where we could wander through stores, enjoy a long lunch, waste our time. Together. TheWife was in the early stages of a job search, beginning to wrap her head around the reality of leaving a company she'd been a part of for ten years, but realizing that it was time for a change. Her day away was a welcome escape from a place where she no longer felt comfortable. I wasn't escaping from anything — just savoring my time with her. I was heading into my fifth year at a job that I loved and was good at. Business was good, and my boss had just promised me an upcoming raise. We saw the year ahead as a time of challenges, but largely ones of our own making. And we saw the day as a time to celebrate our good fortune. So we did. We took advantage of sales, and filled bags with warm shirts and fleece jackets. We began toying with the idea of a new dining room table, and spent an hour debating the merits of this, that, the other. We were flush with relative prosperity and comfort. And we wandered and wasted our time happily, passing the hours, sharing the day. Until, finally, we wrapped it up with a long and absurdly indulgent lunch at a high-end steakhouse. Glasses of wine appeared, were savored; vanished. She ordered a filet; I had a ribeye sandwich. It was – without question – the greatest lunch. Ever. A great way to end the year strong, and to signal an even better year ahead.

    (lifting a glass, and toasting you all — in hopes that whatever marvelous place you find yourself one year from now, it brings you glad tidings and happy memories for the year ahead.)

  • …and then I don’t feel so bad.

    A few of my favorite things from 2008:

    LISTEN

    • Souvenirs d'Un Autre Monde — Alcest
      I never thought I'd say that my favorite album of the year – of any year – would be a folk/shoegaze hybrid by a French guy named Neige (that's "Snow," for those of you who didn't take 7th-grade French) coming out of the black metal community. Because, well… it would have been absurd to even imagine that such things exist. But here we are, and six months after buying it I'm still as enamored of this album as I was the first time I heard it. Forget the black metal background and Amazon reviews that try to tie this sound into that subgenre, because beyond some really wondrous guitar work there's nothing straightforwardly metal about this: it's sad, beautiful music that transcends genre and language (the title translates to "Souvenirs from Another World," with song lyrics focusing (as best I can tell) on the metaphorically environmental) — and it's music that deserves to be heard. Look, I realize this sounds insane, but check out the title song
      for a taste of what I'm talking about. This is remarkable stuff.
    • Weighing Souls With Sand — The Angelic Process
      On the other hand, you have this… which fits more neatly than Alcest (to some degree, at least) under the "metal" banner. What's bizarre about this is that I'm NOT a metal guy by any stretch of the imagination — but for better or for worse, I've spent a lot of this year seeking out more aggressive sounds than I've traditionally pursued, and I've discovered some really interesting music as a result. All that being said, Weighing Souls with Sand is easily the heaviest thing I've ever heard: the entire album is just a tremendous wall of sound, with an ungodly post-Swans low-end anchoring incomprehensible male/female (husband/wife!) vocals and what sounds like an entire orchestra's worth of fallen angel guitar dirge to create a sound that moves you on an almost geological level. That's right: this is the musical equivalent of post-apocalyptic plate tectonics. I said it, and I meant it.

      The tragic part about this, of course, is that this is the last we will ever hear of this fascinating underground band — as singer/guitarist/husband Kris Angylus took his own life this past spring. Look: I understand that this isn't – and won't be – something that will become a part of everyone's life. But it's become a big part of mine, and I invite you to check out Million Year Summer for a sample of what's been echoing through my skull for the past several months.

    • Napoleon Sweetheart + The Fallen Aristocracy — Northern Portrait
      And now, for something completely different. Northern Portrait is a Danish trio that – over the course of these two EPs – has recreated the heart and sound of some of the great Britpop legends of days gone by (think: Smiths, Trashcan Sinatras, Sundays, etc.) in 8 songs as infectiously hummable, insidiously memorable and impossibly charming as anything you can imagine. There's a reason my 3-year old daughter Rabbit keeps asking me to play "The Crazy
      song!"… it's wonderful. All their songs are wonderful. And just as I spent a lot of time trying to brainwash you all into loving The Brother Kite as much as I do, I'm now determined to bring Northern Portrait into your life. Don't fight it. It's for the best.
    • Wintersleep — Wintersleep
      Remember when I creeped you all out a little while back with this video? Well, here's the thing: there are at least 3 other songs on Wintersleep's s/t CD just as good as that… moody, atmospheric, powerful, memorable. In short, everything you want an alt-rock album to be. I'll admit that I was a little let down by their follow-up Welcome To The Night Sky, which just released last month in the US, but I keep coming back to this CD… and I keep enjoying it (clarification: really enjoying it) every time I listen to it.

      (Thanks again to Woman in a Window for suggesting the hook-up on this.)

    • Med Sud I Eyrum Vid Spilum Endalaust — Sigur Ros
      Sorry, folks… this is about as mainstream as I got this year. And if you can't find it in your heart to find the joy and wonder in a song like this – and by "you," I mean you – then, honestly, there is no hope for you. None.

    READ

    • Case Histories — Kate Atkinson
      Yeah, I know… I'm several years late to the party on this one. But nothing I read this year stayed in my head more than this incredible novel, which offers three paralleled investigations of old crimes and transforms them into an incredibly moving take on loss, mourning and memory. Being a father of three small kids, the storyline involving the disappearance of a beloved young girl named Olivia hit me harder than anything else I can remember reading in recent memory, and brought me to the verge of tears more than once — but all three plotlines move with grace and a bone-dry (and much appreciated) sense of humor to create something resonant, and wonderful. (And yes: I'll finally read the (first) sequel next month.)
    • Otherwise Engaged — Suzanne Finnamore
      This slender wonder of a novel – a Jonniker recommendation – is, in simplest form, a tale of a woman at once helplessly drawn toward and terrified/repulsed by her upcoming nuptials to the (putative) man of her dreams. But it's not really about plot: it's all about Finnamore's impossibly precise and razor-sharp powers of observation, which dissect the smallest details of the most innocuous conversations or experiences and redefine them as something worthy of infinite study and fascination. Plus, she's funny as hell.
    • God is a Bullet — Boston Teran
      A truly ferocious crime novel, written in breathlessly hyper-masculine, purely adrenalized style by the pseudonymous Teran. The plot begins with a Helter Skelter-style massacre and kidnapping, and from there follows a desperate father's descent through several dozens levels of hell. Like the Angelic Process CD discussed above, this is clearly not something that will appeal to everyone — it's hard, vicious reading, where "ugly" doesn't even begin to describe the kind of depravities and dark characters who cover the book like blowflies. But… goddamn, for what it is? It's a kind of masterpiece.
    • Heart-Shaped Box — Joe Hill
      An aging rock star buys a ghost over the internet. Hilarity does not ensue. Looking for something profoundly creepy to take the place of all those Stephen King novels you don't feel like slogging through any more? This is it… and, ironically, it's written by King's son. I feel like this is well-known enough that I don't have to describe it in any detail, but seriously? The whole "squiggly lines over the eyes" thing? Still sends a shiver up my spine.
    • Beegu — Alexis Deacon
      The best children's book you probably don't know. Lovely and bittersweet, just the way I like it.

    So. What did I miss?

  • “There’s naughty, and there’s nice. And I think we both know which side you fall on.”

    Since I have nothing of substance to offer, I instead give the gift of random:

    • Yes, I'm still unemployed. Thanks for asking. Although I did finally meet with that company that was supposed to interview me back before Thanksgiving, until one of the guys who was supposed to be conducting the interview abruptly decided to blow me off. So the good news? That guy? Yeah… he's not there any more. (Karma is a bitch, apparently.) The bad news? The very cool-sounding full-time job I was supposed to interview for? Is now a "we're looking to bring people on as freelancers, and then maybe – if and when things improve in '09 – we'll look to go full-time." So… phhhhbbbbtttt.
    • That being said, my meeting with them went alright. Apparently they liked me well enough to say they're going to throw some freelance stuff my way in January. It's all very "Wait and See," so I'll just have to… um… wait and see how things go.
    • I've also had a couple of other potentially substantive nibbles on the freelance front, so with any luck '09 will start off busier and more profitable than Q4 '08 has been. Even in a death-spiral economy, it seems there's still a need for seal clubbing professionals like me. Huzzah.
    • Along similar lines, one of the reasons I've been so pointlessly busy this month is because of a pointless freelance project I've been working on — a project that has exploded into something about 4x the size of what I originally agreed to, despite the fact I'm basically being paid in pocket change and sneakers. (No, that's not a joke.) Subsequently, while I may still be destitute and jobless as 2009 first raises its ugly head on its weak little neck, at least I'll have a shiny new pair of running shoes to my name. Which is nice.
    • On the plus side, I did just win my fantasy football league in dominant fashion. 
    • For which I rewarded myself with a shiny new iPhone.
    • Mostly because I wanted one, but also because last week I somehow shattered the glass face of my old phone — leaving it looking something like this.
    • That being said, I've now had my iPhone for exactly one day, and I love it more than my children.
    • But not more than my snowblower, which saved my ass big-time as the Boston area got slammed with something like 2 feet of snow between last Friday morning and Sunday night. 9 HP of pure, gas-powered passion. Love it loveitloveit.
    • But enough of that love crap. Y'know what I hate? I hate wrapping presents. Hate. It. Hatehatehate. I've spent at least 8 hours over the past week wrapping things for other people, and it has filled me with an incredible bitterness toward the holiday season. Which is sad, because – with TheWife basically buried under work 24/7 – I've become Captain Christmas at Casa TwoBusy, with sole planning and executional responsibilities for tree acquisition and decoration, outdoor light and fake deer selection and installation, holiday card development, design, acquisition and subsequent fulfillment services, and (finally) 90+% of all gift research, selection and wrapping.
    • (I'm so happy my description of my holiday season reads like a resume. So very, very happy for soooooo many reasons.)
    • My kids, of course, are psyched beyond all rationality for Thursday's forthcoming Santa/gift orgy. Or, I should clarify, presumed gift orgy. Let's just say that there may be at least one three-year old girl with a serious attitude problem who's been riding a fine line for the past few weeks, and whose behavior inspired the title for this post.
    • That being said, I've found that Santa offers potent fodder when it comes to leveraging/threatening my kids into doing something. "Ooooh, Santa doesn't like it when you do that" is a powerful persuader, and a nice change of pace from the more commonplace "Do you want to spend the night in the truck?"
    • And isn't that what the holidays are all about?
    • Which reminds me – for no particular reason – that I recently found the following, which I think captures my parenting philosophy perfectly. Shall I share? I shall, I shall:

      Floatingheadofdeath

    • (God, I'd forgotten how much I love this stuff.)
    • Anyhow, given my pathetic track record this month, it's clear that odds of me posting again before… well, hell: before 2009… are slim. Subsequently, I'll leave you with an honest wish for a great holiday season for you and yours (somebody's got to have a good time, right?) and my own personal selection for the best holiday video you'll see this year. Enjoy.

  • Visions of sugarplums

    Eyesofachild
    Um… okay. So how, exactly, do you respond when you're going through the day's pile of kid art from your 3-year old twin girls and you come across this? If you're me, you come thisclose to spitting a mouthful of wine across the dinner table. If you're TheWife, you let your eyes go wide… and then claim, "I have no idea what that is."

    (All artwork™ by Butterfly)

  • Tiny bodies electric with rage

    I was living in a welfare motel.

    It was, as these things go, rather large. You could imagine that it had seen finer days, perhaps when it was first built. You could picture it in the 1940s or early 50s as a sparkling, clean, sunlit motor lodge — a place where weary families traveling through Cape Cod might stop for a night or three, children running laps around the building, mothers and fathers shaking beach sand from towels and talking out the next day's vacation agenda. You could imagine it as a place capable of joy.

    That time had passed. At some point, things had changed. Maybe the construction of the Mid-Cape Highway had stolen traffic from the road and quieted the heart of the business. Maybe it was a change in ownership, or a shift in the river that gave it a name and transformed the river's bend into a swamp, ripe with cattails and great clouds of hungry mosquitoes. Maybe it was the decision to put a roof over what had once been an open atrium — a choice made to protect against the elements that instead plunged it into darkness.

    But now, it was a welfare motel. And more than that, a welfare motel on Cape Cod: a place stereotyped as a beachfront playground for families, a vacation home for the rich, a destination to which travelers could escape their problems and lose themselves in the warmth of the sun, the chill of the Atlantic, and the infinite promise of summer. As with many stereotypes, it held elements of truth — a truth, to be sure, but not the whole truth.

    This was the hidden Cape Cod. A place vacationers never saw, nor would want to. A place of poverty and violence. A place where children struggled to grow up, and people went to disappear. Or hide.

    That's why I was there. In an attempt to crawl from the twisted wreckage of an epic-romance-gone-bad – the self-immolating consequences of which had left me more than a little unstable and unhealthy – I'd made the logical choice to abandon friends and family and instead isolate myself hundreds of miles away. Alone. Working two jobs for minimum wage, barely making rent. Living in a welfare motel. Which also housed a vile dive bar the motel's owner had named in his own honor. Which, I discovered after I moved there, had been the site of two (2) stabbings during the previous calendar year. (Separate incidents. Not sure if that's better or worse.)

    Have you ever seen One Crazy Summer? This was just like that, only swapping out the laughs with a creeping, all-encompassing sense of despair and removing any possibility of a Demi Moore-style romantic interest.

    The fact that it was a summer of loveless was probably for the best, as my accommodations would have almost certainly repelled any and all female visitors. Beyond the splendor and glory of the motel itself, my bachelor pad proper was… somewhat lacking. It was, to begin, a single motel room. A motel room like virtually any other cheap roadside motel room you can imagine, with the great exception of the fact that since the atrium had been roofed over… the wall of windows on one side of the room were draped in always-closed curtains, lest they let the gloom of the atrium inside. Which meant, subsequently, that my room was lit in its entirety by a) a small table lamp with a 40-watt bulb; and b) a small, 3×2 window that did open… but did not have a screen. It did, however, offer a wonderful view of a large, overhanging eave and a small, decrepit parking lot in the back.

    I also had no fridge. It wasn't something I really thought about when I first moved in, but soon enough the challenges of a life without refrigerated food or beverages – in the middle of summer – became apparent. Fortunately, I was almost completely destitute, and so my lack of refrigeration was somewhat balanced by the fact that I lived almost exclusively off leftover slices from the pizza place where I was being groomed as an oven jockey.

    It had a bathroom, but the light did not work. It had yellowing wallpaper, slowly peeling at the edges. It had ridged carpeting — industrial carpeting, the kind you use at storefronts so consumers can wipe their feet before they enter. Beige, or something close to that. 40-watt light did not allow for nuance of color.

    There was, needless to say, no air conditioning. So I always left the window open. I was relatively untroubled by mosquitoes, which was a saving grace, but otherwise the room was thick with warm, static air that never moved. The room felt paralyzed by humidity, and hidden far from the world.

    Summer passed. I worked. I slept fitfully. I tried to socialize, and largely failed. I called my family once a week, to let them know I had not been stabbed.

    One night, in early August, I lay in my terrible welfare motel bed. I was reading. Eventually I tired, and put the book away. I turned off the table lamp, and then turned over, closing my eyes and steeling myself for what dreams might come. Then, in an instant, the world behind my eyes turned white with pain — a shocking, burning pain that filled my skull with piercing light and clarity of purpose. I rocketed out of bed, and – holding one hand against my head – turned on the light with the other.

    On my pillow lay a yellowjacket. Its wings were shivering, but it did not attempt to fly away. Apparently, I'd rolled onto it, and it had stung me defensively. In the head. I remember leaning in close to look at it, trying to understand what had attacked me. I remember looking at its stinger, trying to see the venom. I remember struggling to focus, with the dim light and my vision blurring from pain.

    I crushed it.

    Paranoid, I closed the window, and then studied the rest of the room as closely as I could. I checked the bed carefully, unsure if more yellowjackets lay in wait. Eventually, I fell asleep.

    The next morning, I studied my room, trying to determine where and how and what had happened. It didn't take long for me to look over to the window, where I saw – unhappily – two other yellowjackets flying just outside.

    I walked over and gently opened the window. Trying not to make noise, for fear of attracting their attention. (My head throbbed, and I lamented (not for the first time) my lack of ice.) I looked left, then right, then down. And finally, I glanced up. And saw, beneath the large eave that hung several feet over the window, one of the largest nests I'd ever laid eyes upon. Dozens of winged insects crawled across it, circled it, cycled in and then out again. Dozens, and dozens, and dozens more.

    I don't know how I could have closed the window any faster.

    Half an hour later, I was in the motel manager's office. We walked together to the back of the building, and I pointed out to him my small window… and the large nest that had been constructed adjacent to it. He nodded his assent that something had to be done, and walked away. I returned to my room, and a little while later I heard a knock. I opened the door carefully, and it was him. He was holding one of those cans of nest-killing poison; the kind you can use from 20 feet away. He told me to close my window.

    So. I closed the window, and then peered out at him as he came around the side and positioned himself. He took careful aim, and then let fire. The fluid streamed through the air, arcing gently, and quickly poured across the nest. Instantly, hordes of outraged yellowjackets streamed out of the nest. Some were caught in the deluge and died; others flew and buzzed and circled with infinite anger and confusion. Then the spray stopped, and he walked away. I left the window and went down to his office. "Keep your window closed for a day or two," he said. "Hopefully they'll find another place to live, and you'll be all set."

    Which is how I came to live in a small, unventilated room with my one small window closed. In August. But if this was the price of safety, I was
    willing to pay it.

    My willingness proved irrelevant, as the following days made apparent that the poison spray had done nothing to dissuade the yellowjackets from living in the hive. It might have been more wet then before, but it was still their home, and they seemed disinclined to leave.

    Two days later, I was back in the motel office. Soon enough, the manager accompanied me to my room. He held a long metal pole in his hand — the kind you can attach a brush to, in order to paint something up high. He positioned himself strategically within my room, and then told me to open the window. I did, and he maneuvered the pole outside… and then he struck. With three or four quick thrusts, he pummeled the yellowjacket nest, until a large piece of it – perhaps 75% of the nest – fell off the eave and plummeted to the ground.

    In an instant, he pulled the pole back inside and I slammed the window shut. And they swarmed. Hundreds – easily, hundreds – of yellowjackets filled our entire frame of vision. It was a surreal sight, like something out of a movie. The hive mind was one with fury. "I'd, uh… I'd keep that window closed, if I was you" the manager said, as he left the room. Leaving me there, alone, to face this army of angry life.

    I remember looking at my watch, realizing I was running late to job #2, and grabbing my keys as I quickly left the building. I remember thinking, "I'm glad that's over, more or less."

    I came home late that night. Not sure why; probably another attempt at socialization. It might've even been one of the nights I made one of my first, furtive, failed attempts at social drinking. Grab a 'Gansett? Sure. (moron.)

    What I do recall is waking up the next morning. I slept late, and awoke to a room half-lit from the outside. I remember being momentarily confused, as what I'd heard before I opened my eyes didn't jibe with the sunlight I saw. And then my eyes fully opened, and what I saw was so much more than sunlight.

    I saw yellowjackets. Hundreds upon hundreds of yellowjackets. Hurtling themselves against my window. Over and over and over again. Hundreds and hundreds of them, blind with vengeance, sacrificing their lives to pierce this wall of glass. My eyes opened wide, in near disbelief, at the sight of so many living creatures united in hatred. They tiny bodies electric with rage, creating sheets of pulsating yellow and black that clawed and stabbed and stung and collided and collided and collided against my window. Against me.

    They sounded like rainfall.

    (I swear, it sounded exactly like rainfall.)

    This continued for days, until eventually it subsided. Not because the yellowjackets died, or went away, but because they started building a new nest. On. My. Window.

    Which is how I ended up spending an entire month of August in a small room with no ventilation, and the window shut. Listening to the world outside as it tried to break in. A world brilliant with anger and the promise of pain and punishment.

    Hiding.

  • This Week in Unemployment: Post-Thanksgiving Hangover Edition

    TwoBusy (answering vibrating cellphone, seeing that the call is coming from old friend Swoosh): "Mr. Swoosh! What can I do for you?"

    Swoosh: "D'you want to make some money?"

    TwoBusy  (not hesitating for a second): "Who do I have to fuck or kill?"

    Swoosh (laughing w/TwoBusy for a minute, and then responding): "Me, on both counts."

    TwoBusy (still laughing, then abruptly stopping): "Well… how much money are we talking about?"

    (curtain)

  • A fish tail and a hockey mask

    It probably goes without saying, but I'll say it anyway: I have twin 3-year old girls, which means that I've seen The Little Mermaid more times than is probably healthy for an adult male. At least once a week – every week – as we make the evening drive from the girls' daycare center to TheHurricane's after-school program, one girl or another will suddenly chime out, "Daddy, can we see the Ariel movie when we get home? Do you know that movie? I loooooove that movie. Can we see it? Please? Pleeeeeeeease?"

    At which point, I drive into a tree pray for the sweet release of death swear vengeance on all mermaids, whether in this life… or the next tell my sweet darlings, "Of course. Anything for you."

    Then we get home, I spend a few minutes firing up my reason for living and loading up the DVD player, and finally the girls (and, on occasion, TheHurricane) are free to lose themselves in the underwater hell wonderworld beneath the seas that is the nightmare majesty of The Little Mermaid. Hooray. (At least, until dinner is ready/Mommy comes home. Then the screaming begins.)

    The point of all this is that I've had FAR too much time to contemplate this film, and upon watching it for the 500th(?) time last week… something occurred to me. Something devious and brilliant that the Disney corporate overmind buried in the film as subtext — and that I was too stupid to pick up on until that moment.

    The title character of The Little Mermaid is, like so many Disney protagonists, an impossibly pure young girl launched into a world of magic, romance and adventure. Despite the etymology of her name, Ariel is the picture of idyllic youth in mermaid form — beautiful, bright-eyed, given to mischief and mild rebellion but at heart as good and immaculate as any heart might be. And despite her little purple bikini top (apparently standard apparel among merwomen) and entreaties that "I'm 16 years old — I'm not a child any more!" (enough to send a shudder down the spine of any father) she is clearly intended to serve as a symbol of virginal innocence. Even her romance and eventual marriage to the prince of her dreams (the  soap opera-handsome Eric) is cloaked in virginal innocence… as far as we can see on-screen, the two of them never actually kiss until they are married and forever bound before the eyes of God, real & symbolic parents, talking crabs and various servants and underlings.

    Now, all of this – in and of itself – is nothing remotely unusual for a Disney film. Their animated heroines tend to fall very neatly into the same archetype (think: Cinderella, Snow White, Beauty, whatshername from Aladdin, Wendy from Peter Pan, Pocahontas, etc.)… in short, stand-ins for the prepubescent girls who form such a powerhouse demographic core for these films. And really, thinking through the Disney canon, they're more or less emblematic of the animated Disney universe as a whole. Virginal heroines, brave-but-equally virginal heroes, kindly sidekicks and anthropomorphicized animals, candlesticks and magical whatevers… even the Disney villains, vile as they may be (and let me take a moment here to give a shout-out to Cruella DeVille, by far the greatest of all Disney villains in by far the greatest of all Disney films), are basically asexual. Not to belabor the obvious, but they're cartoons.

    But. There is an exception. One villain who, for all intents and purposes, oozes sex. Ursula, the Sea Witch (read: bitch) and antithesis to the purity of the Disney/mermaid world. Granted, she's half-octopus, but her supple and rounded tentacles mirror her overall state of over-ripeness: she's big, she's bawdy, she's ballsy as hell, and she's constantly on the verge of falling out of the top of her… whatever the hell it is.

    Don't get me wrong: I'm not saying that I've got the hots for Ursula. (As sad and desperate as my life might be right now… I'm not that desperate.) But there's no denying that Disney's animators built her as something saturated with sex. Her showcase song features her wiggling, undulating, shimmying and shaking her moneymaker for all she's worth — and making a dead clear recommendation to Ariel to use sex appeal ("body language") to land Prince Eric and make him hers once and for all. Factor in two blatantly phallic moray eels as evil henchmen… and you've got a pretty clear picture of what Ursula is meant to represent.

    All of which makes the movie's big finale that much more disturbing. Not the fact that good wins, evil loses, and Ariel and Eric end up sailing into the sunset, headed off to their happily ever after. No, what I'm talking about is the end of the final fight between good and evil. At that point, Ariel and Eric have established their platonic love for one another, but Ursula has literally come between them — growing to skyscraper proportions as she takes control of the sea (she is a sea witch, after all) and tries to kill them both; Ariel dodging magic bullets at the bottom of the ocean while Eric is trapped on board a once-sunken ship, now brought to the surface by Ursula's magic.

    Blah blah blah. The important thing here is this: while Ursula is distracted by her murderous rage, Eric takes control of the ship, and steers it toward Ursula. Who does not see the ship coming at her, until the very last minute. When its large, broken prow thrusts powerfully up into the air… and penetrates Ursula. And ultimately killing her.

    Taking into account that The Little Mermaid was released in 1989, I think it's fair to say that the Disney overmind was not immune to the cultural mores of the time — nor how antiquated their virginal undersea universe might appear to their audience(s). So what did they do? How did they create a validation-via-subtext for the conception of this immaculate waterworld? Simple: they borrowed the central moral message of one of the era's other cinematic touchstones… and created a world wherein, much like at Camp Crystal Lake in the series of Friday the 13th movies, sex = death. Where virtue is rewarded with survival… and the wages of sin, of flesh and desire, is an early and violently-met grave.

    Bravo, Disney. Bravo.

  • On a very special episode…

    Actually, I'm lying. There's nothing remotely special about this. And yet… here we are.

    (crickets)

    So: as many of you kindly inquired… The interview! Forgive me if this is redundant (which it is to at least a few of you), but what happened is:

    I had a phone interview with this company's HR Dept about 3 weeks ago, which went swimmingly and apparently sold me enough as a candidate to propel me forward to the face-to-face-with-important-people step of the process. Of course, the problem with meeting with important people is that they usually have much better things to do than meet with jackasses like me — hence, the 3-week window between the phone thing and the coming-in-to-the-office-in-a-suit thing.

    Which is fine. I get it. So: I basically spent most of last week in something of a frenzy, working myself up into a fine frothy froth (which is the best kind) as I tried to prep myself on the company, their specialty area (because, you know, there are lots of ways to club seals — and to think otherwise would be to grossly oversimplify a really dynamic and diverse field), and how I might actually be a reasonable fit for their needs. By the time Friday morning rolled around, I was on the verge of a minor anxiety attack. Hooray! Nevertheless, I showered, shaved (I'm unemployed, remember — so shaving is a big deal), suited and prepared myself for action.

    The meeting was scheduled for 11:30am, which was a recent change — they'd e-mailed me the day before to reschedule from 10:30. Which, obviously, was not an issue: "No, I'm sorry… that would interfere with THE ABJECT NOTHINGNESS THAT IS MY WEEKDAY LIFE." But between my own nervousness, my anxiety, the long wait for this meeting and the recent time-change… I found myself checking my e-mail every five minutes. Just to twist myself into even tighter knots than I'd already twisted myself into.

    So. 10am rolled around, and I was ready to get the show on the road. I started my car to let it warm up (it was probably 20 degrees, so pre-warming was a requirement) and told TheWife we'd be on our way soon.

    (Oh, right: forgot to mention. TheWife had a Dr. appointment that morning, so we'd decided to drive into the city together — her for work, me for my interview. Alright? Alright.)

    I checked my suit: yes, the fly was zipped. I checked my resume/seal clubbing samples stuff: yes, it was packed and ready to go. I checked my hair in the mirror: yes, it was spectacular. I threw a couple of pieces of Ice Breakers Ice Cubes gum – now with xylitol! – in my mouth to ensure maximum minty freshness, and as TheWife got on her phone for a quick work call, I walked to the other side of the house to check my e-mail one last time.

    It was 10:12am as I clicked on my mouse, and hit the friendly little "Get Mail" icon. The little wheel twirled and twirled, and suddenly a new message popped up.

    SUBJECT: TODAY

    MESSAGE: Hi, how are you?

    I'm sorry to do this, but we are going to have to reschedule your meeting. It turns out that our (bigwig) is out, and he is the key person you need to meet with.

    I hope you get this in time, as I can't find your phone number and only have your e-mail address. I'll be in touch to reschedule soon.

    Best,
    Nice HR Woman.

    It was at this point that my head exploded. And I'll just take a second here to share how much TheWife – who was on the phone with her CTO at that particular moment – appreciated it when her conversation was overwhelmed by the sound of my voice booming from the far side of the house: "OH. MY. FUCKING. GOD."

    And there you have it. A painfully long account of how nothing actually happened and I have nothing interesting to say. Thanks for stopping by!

    (ducking away from rocks and garbage)

  • Broken

    11 songs for when the world falls apart.

    1. I Don't Have Anything — Vast
    The perfect soundtrack for a life left buried in splintered glass and unfulfilled promise. Clinical depression as love song, if you will, and one that effortlessly calls to mind the epic, soaring helplessness of a world where you can only dream of a cure, a solution, a release that will "make the sky turn blue again." 

    2. Cut It Away — Jackson Browne
    Look beyond the cheesy 80s synths at the beginning of this track from Lawyers in Love and you'll discover perhaps the most raw and anguished song Jackson Browne ever recorded. And I say this as a huge fan of Late For The Sky and its suite of haunting music — but this is a different animal altogether. Here, Browne cuts away (heh, heh) the metaphoric beauty of his earlier triumphs and creates, in its stead, something far more naked and arresting: a brutally honest (to the point of self-evisceration) analysis of a dying relationship. Listen to the edge in his voice – particularly in the last 1:30 or so of the song – and try not to be moved.

    3. Breaking Apart — Chris Isaak
    I'll admit it: I've always been a sucker for Chris Isaak. And I've always been baffled by the fact that he never became massively successful. The spiritual and musical heir to Roy Orbison, Isaak married a gorgeous voice, terrific songwriting ability and consistently strong recordings with a wicked, sardonic sense of humor (does anyone else remember The Chris Isaak Show? Anyone?) in a package far too ideal to be fair. He should've been huge. So what happened? He hit it medium-big with "Wicked Game" – a great song, granted – and then followed it up with lots of other great music that never went much of anywhere. Including this song, which is ripe with heartbreak, judicious use of steel guitar, and at least two separate occasions when Isaak rises into a quivering falsetto that forces you to close your eyes and absorb. Gorgeous.

    4. A Little Rain — Tom Waits
    Tom Waits – at his most tender – aches like few others do. There are lines from this song that have stuck in my head for years – years – and if the section about the girl doesn't put a catch in your breath… I just don't know what to tell you.

    5. Birthday Girl — Trembling Blue Stars
    "I'm hearing words… sad and clear, from nowhere." Yeah, that sounds about right. This is from the album Broken By Whispers, which also sounds about right. (Fun fact: the band was named in honor of the singer's nickname for his girlfriend's eyes. Who then became his ex-girlfriend. Even though she was still in the band. And this song is about her.)

    6. Blue and Wonder — Richard Buckner
    "What's that word? I forget sometimes… it's the one that means the love has left your eyes." Oh, yeah — we're on a roll now. Good times.

    7. Kathleen — American Music Club
    I can't remember if I've used this song before. If yes… forgive me. You'll need to turn the volume up for it, because it's mixed really low. But it's worth it, because it may be the most broken song of all.

    8. Dirge — The Verlaines
    A song true to its title, but be patient — at about 1:20 in, it transforms from a bass-heavy dirge into something grand and tragic and all the lovelier for it. The strings kill me every time. "No point in treading water…" perhaps, although the strings offer a pretty good rationale for doing so on their own.

    9. I Was Wrong — The Dambuilders
    If you've been lulled into a stupor, this one'll shock you back into consciousness. Guaranteed. Plus, it's got the rockin-est use of violin since The Wonder Stuff hung up their wonder stuff. So what if it's a gut-wrenching apology that becomes all the more gut-wrenching for the knowledge of just how futile that apology is? C'mon… we're having fun here!

    10.Every Female Werewolf Ever, Listed Alphabetically By Crime — Soul Whirling Somewhere
    Honestly, you could pick just about anything ever recorded by Soul Whirling Somewhere for this happy little mix, but how could I pass up a song featuring what may be – no, let's be clear: that must be – the greatest song title of all time?

    11. Casa Mia — Idaho
    Then again, this may be the most broken song of all. It's hard to tell, sometimes.

  • This Week in Unemployment (pre-Thanksgiving edition)

    1. Big interview on Friday. Wish me luck.

    2. Finished raking my f#*&ing yard on Monday, right before this week's brutal cold spell kicked in hard. Stupid maple trees. Not that I didn't enjoy gathering, stuffing and hauling to the dump 40+ giant bags worth of leaves, branches and other forms of air pollution, but if I needed another form of motivation to ensure that I never have this much free time again… well, I found it.

    3. TheWife: "Do you think TheHurricane looks like Dexter?"Dexterish

    TwoBusy: (baffled) "…uh…"
    TheWife: "I haven't decided yet if this is a good thing or a bad thing."

    4. We went out last weekend! To see a movie! In a theater! Like real people! Unfortunately, we chose to see the new James Bond debacle, Quantum of Solace, which sucked on a level few movies have achieved sucking at before. D'you remember how much of a revelation Casino Royale was? How great it was to have a Bond that was a real character (rather than a caricature), with action that felt like real action (rather than CGI) and a plot that had real emotional weight and resonance? Apparently they decided that all of that stuff was irrelevant, and instead decided to create a sequel with a completely incomprehensible plot, a complete lack of interesting dialogue or character development, and a complete overdose on jump-cut editing to the point that – during most fight scenes – I honestly couldn't tell who was doing what to who.

    I'll put it this way: half an hour before the movie ended, I found myself sitting in the theater hoping it was almost over. If that's not the definition of abject failure for a Bond movie… I don't know what is.

    5. Speaking of Thanksgiving, what are you guys doing for the holiday? We're hosting dinner for 15 adults and kids. As of now, I'm responsible for producing:

    • One large, tender and perfectly bronzed birdzilla (22-24 lbs)
    • Boatloads of stuffing
    • Gallons of rich, delicious (and probably Madeira-enhanced) gravy
    • Roasted winter vegetables (I'm thinking butternut squash, yams and turnips)
    • Sinless garlic mashed potatoes (no butter/cream — just loads of garlic & olive oil)
    • TheWife will also be producing some kind of homemade cranberry thing (also booze-enhanced)

    6. Back to movies. We've been on an extremely dispiriting NetFlix run lately, with disappointments including the new Indiana Jones (sucked), The Foot Fist Way (really sucked), The Incredible Hulk (sucked), 10,000 BC (possibly the worst film ever made), Baby Mama (painfully bad), and Harold & Kumar at Guantanamo Bay (which, like Quantum of Solace, reversed all the goodwill generated by its predecessor). On the plus side: Once, which was sweet and well-deserving of the Oscar for best song, and Death at a Funeral, which had me laughing so hard I was in tears at least twice.

    Anyone have any half-decent suggestions for me? I'm looking to avoid things that fall into the "suck" category, if that wasn't clear.

    7. Finally, just because I can, I'm leaving you with a strange and haunting video of a song that's been going through my head for more than a week now. Hopefully it'll lodge in your skull much the same way it did mine. (Thanks to the fantastic Woman in a Window for the recommendation)